So, one of the biggest issues I had in choosing the 5 albums I can’t live without is selecting an album that was never officially released. When I was considering the idea way back in December, I thought of this album right away. Then I thought about you, the reader / listener. Would it be fair to include an album you would not be able to listen to if you wanted. I decided it was not fair, but, this is my blog series, so I get to have a bonus entry and give the album its props!
Hell Isn’t Even That Funny was supposed to be Chris Glover’s debut release, but the record company shelved the record, even though they released the single, “Stand On Your Seat” in 2005. I was hooked the first time I heard the song, but couldn’t find the album until I went to eBay and found an advance CD for sale. At that time, I just assumed the album was coming out later that year. I almost passed on buying the CD. I didn’t know at that time the back story. I am so glad I didn’t.
Chris Glover is now known as Penguin Prison, and is making awesome music. But this album is genre shattering. It mixes electronic music with hints of rap and pop sensibility. Chris’s lyrics make you think, are bluntly honest, and uplifting.
If you ever get the chance to hear this album (I found two copies available by private sellers) check out the songs, “Never So Far Away”, “Nothing’s Ever Gonna Change”, and “Something You Already Knew.”
If I was on a desert island, I would grab this album… well at least one of the burned copies I made of it, because it is truly one of a kind.
P.S. Below is the interview I got to conduct with Chris Glover for The Creative Moment podcast.
I know some of you are wondering, no album from Prince? Well, the wait is over. There are two rules that made this choice so difficult. One album per artist. Prince released over 40 studio albums. Because of the rule I only get to choose one. ONE!
After hours of debating with myself I got it down to two albums. Again the rules I set for myself helped. Even as a fan, there are songs I will skip on an album. Especially if I am in a particular mood, so that rule helped a lot.
Then the last rule that allowed me to finally choose the album. No soundtracks with various artists. Now, that rule eliminated some great sound tracks. But I thought the rule was fair because there are soundtracks by single artists, like The Jazz Singer by Neil Diamond, that are powerful albums.
So, that brings me to my fifth album I can’t live without… no it is not Purple Rain. It is Parade.
Everyone knows the song “Kiss” but as a whole album Parade encompasses Prince’s personality the best at that time of his life. Meaning, artists grow as people and their art reflects that. As fans I think we forget that sometimes and want them to produce the same kind of art they did when we became fans. Anyway, back to the album.
The opening track, “Christopher Tracy’s Parade,” sets a wonderful, joyful tone, while touching on some of the themes to come in the other songs / movie.
“I Wonder U” switches things up with a slowed down musical trip. In its own way, it is a cool love song.
“Under the Cherry Moon” continues with the slower vibe. Prince ponders life and love through the lyrics. The song feels like a walk at night, under a full moon.
The sixth track never fails to make me move or lift my spirits. “Life Can Be So Nice” picks up the tempo and has lyrics that hit you with their clever examples that you can’t help but sing along with.
As Prince is known to do, the next track seems to come out of nowhere. It makes you stop and just feel. “Venus De Milo” is a wonderful instrumental piece. It is on a number of my playlists.
“Mountains” was released as a single. It reached number 23 on the charts. It is one of my favorite songs of all time by Prince. “Mountains” delves into the idea of the power of love and how it can be a force in life.
And maybe the saddest song ever, “Sometimes It Snows in April.” Of course it connects to the story line of the movie, but listeners can easily follow the plot line and get lost in the theme of the song. The song touches on our shared hurt and questioning of why bad things happen, especially when we lose someone we love.
So, here are my 5 albums I can’t live without… or is it????
One of the fun aspects of writing this series is the chance to listen to albums again. There are so many great albums. Honestly, this series has actually been in the works for over 6 months. I got to thinking about it after I read the answer from Mike Jones of the band Jesus Jones. A favorite band of mine who’s Doubt album was in the running for this series.
Kind of the last filter I used for selecting the albums was the desert island question. If I had five albums only, what would I want to listen to? So, there are albums that I love that are not part of this series, but the fourth album may be the one that most defines me. Ten by Pearl Jam.
For those readers who know me in real life, you know that my college years were a turbulent time. And if you are into music like I am, you understand how a song, an artist, an album can affect your life. Plus, I saw them perform at The Ranch Bowl in Omaha just as they were breaking through as a band!
“Once” may be the coolest intro song I know. There is a melodic fade in, then a driving guitar and Eddie Vedder extending the word “I” and off we go.
“Alive” and “Why Go” are two songs that connected with me. I don’t want to go into the personal stuff, but both songs are powerful stories about youth and dealing with big questions. Questions about family, truth, and life. “Alive” ends with the question about who answers the question about the narrator being alive.
“Why Go” was number 10 of my all time top 100 songs. It tells the story of a girl in a mental hospital. Part of the story line is about staying an individual while also questioning if it is worth going back home. The energy of the music and the depth of the theme combine for one of the most emotionally elevating songs I know.
“Jeremy” continues the sad exploration of the damage parents can have on a child. The song was inspired by a true event, that just emphasizes one of the harshest aspects of this life. Now, as a father, these stories break my heart.
I’m going to jump to the last track “Release”. The tracks in between do not shy away from questioning life, “I don’t question our existence / I just question our modern needs, “ from “Garden”.
I’ve heard it said that we connect to music (and even poetry) because the artist found a way to say what we feel better than we could. “Release” is that song for me. Eddie Vedder says this song is about learning the truth about his father and step-father. For my faithful readers you know through my writing about my issues with my own father, so I think you can connect the dots for the importance of this song.
Ten is an intense listening experience. In fact there is a few seconds of silence after “Release” before the listeners are taken back to the melodic music from the beginning. This time the music stays on that vibe while you hear mumbled vocals as the vibe continues to wash over you. Kind of like an emotional cleansing as it fades out… but I usually want to start the album over.
The rule that I could only choose one album per artist makes for a unique challenge for me. Many of my favorite bands have a number of albums I love. But the idea, too, that I couldn’t live without it helps, especially with the artist for album 2; Tears For Fears and their album The Seeds of Love.
This selection is also an example of connecting to an album the more you listen to it. How an album can age well, like wine. I remember not being blown away by the album in 1989, but I was a senior in high school, getting ready for college, all that stuff. Honestly, I didn’t really get into the album until after college. And I think part of the reason is because of the depth of themes of the songs, as a teenager I didn’t really connect to them like I could after growing up some and experiencing life.
The album starts with what I feel is one of the saddest songs of all time, “Women in Chains.” Because this post is about the music, I’m going to let the song speak for itself.
The second song on the album is “Badman’s Song” and I love when it comes on my playlist while I’m walking. The backstory is that during the tour for The Hurting, Roland Orzabal overheard some of the band members talking bad about him. The third line seems to indicate the hotel room they were in, “Well here’s to the boys back in 628.”
But I love the musical trip the song takes me on, and the underlying idea of hope for the badman. The references of faith and life lift my heart.
Many of the songs on the album run over five minutes, yet the songs don’t drag. “Swords and Knives” runs just over 6 minutes and is heavy with instrumental movements that create the perfect accompaniment to the theme of the song about violence in the world. And it transitions into one of my favorite songs of all time, “Year of the Knife.”
The track is high energy, and for me, poetic. I love the lines, “They say his famous final words / Came from the heart of man.” Plus the symbolism of love as a knife, played against the “young gun” is cool.
I’ve written about the final track, “Famous Last Words” in the post “Thank You, Tears For Fears” during the COVID pandemic. The track is a perfect ending to a great album. I love the thread of love throughout the album and the depth of the songs. This is an example of how music can grow with us, if we keep listening.
My stereo system, from 1991, finally just stopped working about a year ago. I had a dual deck cassette player, CD player, receiver, and six speaker set-up that was in my corner library. I did not have a record player. In fact, I have never owned a record player. Until this Christmas.
As a Christmas gift my wife gave me a Victrola 6-in-1 Bluetooth Record Player & Multimedia Center. I can listen to my CDs, tapes, and now, for the first time, listen to records.
During Christmas break I visited our new used record store downtown to buy a LP. I was hoping for a Prince record, but they didn’t have anything at that time. I ended up buying Poco’s Legend album, which has one of my all-time favorite songs, “Heart of the Night”.
When I got home, I immediately put the record on (Side two though because that side started with “Heart of the Night”). I’ll be honest, I was excited. I dropped the needle down, heard that hollow crinkling sound and smiled. Then the first notes of “Heart of the Night” started to play… and I was hooked.
My record collection is at five albums, and yes one is Prince’s “Around the World in a Day”. Many of the times I am just chilling on the bed when I listen to any of the albums. Those moments remind me of doing the same in my teenage years. Most of the time with my best friend at his house listening to cassettes. I remember the trips to Casper to buy music.
The other day as I was flipping over an album to the other side, I thought about the change in our culture around music.
Like many kids, my children listen to music as they do homework, headphones on, YouTube or Spotify playing their playlists. All my children have CD players in their room. Their music collection isn’t vast, but they ask for music as gifts. We definitely listen to music in the car, I mean we spend a lot of time traveling and we have some fun playlist we listen to.
But, what is missing in their life is the personal cost of time and care it took when I was a teenager, and now revealed in what it takes to listen to an album.
Here is what I mean, to listen to an album I must take it out of the sleeve. Place it on the player, physically move the needle and when the side is done, I have to flip the record over. To listen to a record I know I have to invest time and care even to enjoy the music.
There is so much missing from the musical experience today. It was hard to find hard facts, but for streaming revenue a song only has to be played between 30 and 50 percent of the length. Another stat I came across was that listeners only complete 50% to 80% of a song when it is on a playlist. Completion rates were higher for album plays (GEARNEWS).
Music doesn’t mean the same to my children that it does for me. And part of the reason is that they have not invested anything in listening to music. Like anything in life, when we invest our time, our energy, our hearts, it means more to us.
Every physical form of music, LP, CD, cassette, and even 8-track cartridge, has a physical, emotional, and time cost associated with it. Each form is unique in those costs; fastforward / rewind for tapes, dropping the needle down, switching tracks if we want to hear a certain song.
But I think the most interesting factor is the commitment to listening. Every form can be background music, every form can be heard while just chilling in the room, but the physical forms will have a stopping cue, a moment that you have to physically change the format. Even CDs will end. But the deeper aspect is the anticipation of that favorite song coming on, even if we are using the music as a backdrop, we know that a particular song will be next, so we may choose to stop washing dishes to dance or sing along with the song.
The full experience of listening to music in physical form adds a depth to the moment that digital music usually misses or fails to create for us. And in that depth, we can remember other moments, feel a range of emotions, and share, like best friends chilling on the floor waiting for THAT song to play, a rich and wonderful time with someone.
I like digital music. Again, we have travel playlists we listen to in the car, but we don’t skip songs. We sing and, yes, dance to our favorite songs. But, my new Victrola has Bluetooth capabilities that I have not used. I would rather put a record on…
It is all Connected 